The works gathered here move across sound art, acoustic documentation, spatial audio, field recording, installation, performance, soundwalks and artistic research. They are not organised as separate disciplines, but as different ways of investigating space through listening: physical space, architectural space, landscape, memory, perception, narrative and technologically mediated environments.

Some projects begin with specific sites - buildings, landscapes, urban infrastructures or historical environments - while others work with space as something constructed through memory, movement, imagination, voice, image and immersive media. Across these different formats, sound becomes a way to explore how environments are perceived, remembered, transformed and re-composed.

Using methods such as field recording, impulse-response measurement, Ambisonic and binaural audio, multichannel composition, spatial sound design, soundwalks and site-specific or performative formats, these works examine how listening can produce spatial, historical, sensory and narrative forms of knowledge.